We are producers, composers, directors and visual effects artists. A multicelled organism that lives and breathes film. From some of the world's top brands, to hollywood's biggest blockbusters.
We are Carlino.
Carlino brings some of the brightest talent in production, visual effects, and music together under one roof. We are dedicated to our craft and pushing the envelope of possibility. Our unique flexibility and ability to scale as needed means your project gets exactly the attention it deserves. With such broad industry experience and tight integration, we take the complexity and stress out of any producton. If you can imagine it, we can bring it to life.
Director / DP
Duncan has spent the last ten years making pretty pictures with fancy cameras. His clients have included Stüssy, BMW, Sephora, and VICE Media - sometimes on the ground, sometimes in a helicopter. When he's not working on a camera it's usually because he's working on his car, motorcycles, or vintage airplane.
She'll never give up. She's fearless, determined, and resourceful. If you tell her it's impossible, she'll find a way. Partizan, Anonymous Content, and Park Pictures seemed to agree. We tried to list all the brands she's worked with, but our website wouldn't scroll far enough.
Camera / Editorial
For over twelve years Joe has been blazing new trails with the latest and greatest technology that the industry has to offer. His deep understanding of production and editorial has seen him shooting, editing, and designing new and better ways of doing both for Discovery, History, and A&E.
Josh knows a whole lot of science-y stuff about pixels that none of us will ever understand. His passion for bringing the impossible to life has resulted in some of the most memorable and grounbreaking shots of the last five years. If you've sat in a theatre, you've seen his handiwork.
Begining with an apprenticeship at Glow In The Dark studios, Ryan developed an ear to critique and craft sound with precise discretion. With a strong suit in ambient sound and minimalism, his film scores have been nationally recognized by Art In America and Burnaway magazine.
Aaron once turned down a staff writing offer on Breaking Bad. We could stop there and it would say enough. Obsessive dedication to his craft and an uncanny ability to take the cultural pulse and write for the future make anything that hits his page cool before we even know what cool is.